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39 Intro
Descrição
A faixa "39 Intro" de J. Cole apresenta uma dualidade marcante, dividindo-se em duas metades temáticas. A primeira parte mergulha em uma conexão profunda e quase espiritual, evocando imagens cósmicas e a ideia de atração magnética para descrever um vínculo inquebrável, sugerindo uma ligação predestinada ou de vidas passadas. A atmosfera é de anseio e reconhecimento de uma força irresistível que une, mesmo quando "worlds apart". Em contraste, a segunda metade marca uma transição abrupta para um tom agressivo e desafiador. Aqui, a performance de J. Cole se torna uma poderosa declaração de domínio lírico, rebatendo críticas e afirmando sua superioridade no cenário do rap. A mensagem se solidifica em autoconfiança inabalável, resiliência contra adversários e a promessa de que a autenticidade e o talento prevalecerão, garantindo o legado do artista frente a qualquer questionamento ou desrespeito. É uma afirmação contundente de sua posição no jogo.
Letra
[00:00.07] A spaceship lands on Mars
[00:05.01] Halfway to the stars, halfway to the stars (Halfway to the)
[00:12.80] I wanna be where you are
[00:17.78] It seems we're worlds apart
[00:20.73] It seems we're worlds apart (We're worlds apart)
[00:25.66] Once in a while, I'll feel myself
[00:32.10] Driftin' off to somewhere else
[00:38.58] Floatin' past Orion's Belt
[00:44.87] Still, there's something I can't help
[00:51.36] We were in a world before (I know we was— I know we was together in another life)
[00:57.66] Together, and of that, I'm surе (It's the only way I can really explain how I feel insidе)
[01:03.86] As sure as one could ever be (It's like, no matter how bad I wanna go, I—)
[01:10.70] That explains your hold on me (I'll find a way to stay)
[01:17.07] Magnets (It's been like that)
[01:20.20] Magnets (Maybe it'll always be like that)
[01:23.49] Magnets (I don't know)
[01:26.66] Magnets
[01:29.74] Magnets
[01:32.38] I'm pulled to you
[01:37.18]
[01:57.86] I'm pulled to you
[02:01.48]
[02:07.77] Ooh-ooh
[02:23.94] I'm pulled to you
[02:33.64] Oh-oh-oh-oh
[02:39.59] Let's stop playin' in the middle
[02:41.70] Let's stop runnin' around
[02:43.19] Let's stop playin' in the middle
[02:44.80] Let's stop runnin' around
[02:46.40] Let's stop playin' in the middle
[02:47.78] Let's stop runnin' around
[02:49.57] Let's stop playin' in the middle
[02:50.92] Let's stop—
[02:54.20] Yeah, yeah, yeah, yeah
[02:57.60] Fuck what you heard, bitch
[02:59.71] Fuck what you heard, bitch
[03:01.83] Yeah, yeah, yeah, yeah
[03:05.66] Fuck what you heard, bitch
[03:07.58] Fuck what you heard (Fuck what you—)
[03:09.34] Never in my life did I think I'd see the day (The day)
[03:13.22] Where niggas wanna play with my name, but okay
[03:16.91] I'm goin' back in (Who's goin' back in?)
[03:18.84] I'm goin' back in (Who's goin' back in?)
[03:20.69] Let me go back in (Let him go back in)
[03:22.70] I'ma go back in (He's goin' back in, I'ma go in)
[03:25.18] Let me go in, let me go in
[03:27.21] Let me go in, let me go in (Boom-boom)
[03:29.14] Let me go in, let me go in
[03:31.30] Let me go in, let me go in (Boom-boom)
[03:33.07] Let me go in, let me go in
[03:35.28] Let me go in, let me go in (Boom-boom)
[03:37.06] When niggas act like they don't know, you gotta show 'em (You gotta)
[03:41.04] I'm pleased to report after many attempts I climbed out from the mountain of the gritty abyss
[03:44.54] The antonym of "idiot", who witty as this?
[03:46.62] My mindframe has been trained with NVIDIA chips
[03:48.50] My rhymes are like shrines for the city I miss
[03:50.42] Where, in time, I found beauty in the hideousness
[03:52.44] My tongue can set fire to sun
[03:54.33] Inspire the young, or put a hickey on the titty of the prettiest bitch
[03:56.70] I'm number one, you gettin' the gist?
[03:58.16] Anything lower, you better reconsider your list
[04:00.05] Play my song when I'm gone, I'ma still be a myth
[04:02.35] Even God gon' wonder,"How to fuck did he exist?"
[04:04.16] I mean, could he have just slipped through the cracks? Ain't let a nigga into Heaven
[04:07.31] So I went through the back
[04:07.98] And when I entered, I saw a old friend that I dapped
[04:10.17] He said, "Please, nigga, kick one of the infinite raps"
[04:12.02] Okay, I flip on tracks long as the beat is on fire
[04:14.46] My grip on rap stronger than needle-nose pliers
[04:16.10] So, kick on back and enjoy the fresh sound
[04:18.12] The best round of Black gettin' rich off rap
[04:19.90] I'm from the town where they zip raw packs
[04:21.28] We've never seen a trampoline, but a brick, you could flip off that, Well, damn
[04:24.54] Try to compete, but they just fall flat
[04:26.01] Lot of these weak niggas peak while I lift off at
[04:27.64] I never trick off racks, I stack what I attract
[04:30.00] The money talks to me, and they lack the dialect to reply back as I crack the fire axe
[04:33.54] Light refracts when the half-Black messiah raps, uh
[04:36.10] Fayettenam, where they strapped like Iraq
[04:37.64] The narcs in the trap with a knack to hire rats
[04:39.98] A man's dead 'cause the feds slapped the wiretap
[04:42.03] His dog had his back, so they whacked the chiroprac'
[04:44.02] Chemically imbalanced, drippin' style in gallons
[04:45.91] I write schemes in my dreams just for the challenge
[04:47.57] Woke up in ice-cold sweats 'cause the flows I chose next are like both sets of Bowflex, uh
[04:51.74] Hold your breath for the prose I profess
[04:53.85] Cole the GOAT, fresh like juice that's cold-pressed
[04:55.18] No rest to those who oppose, I don't stress
[04:57.43] Rap niggas gotta be in Vogue to pose threats, uh
[04:59.80] They don't compare, they're more like Kotex
[05:01.53] I'm droppin' niggas off at the door like coat checks
[05:03.37] Hold check, I told you they ain't ready to hoop
[05:05.28] Them niggas regular, I'm 93 Unleaded, the truth
[05:07.10] Hot out the booth, now I'm lookin for my lil' Betty Boop, cute
[05:09.60] Pardon me, shawty, I been out of the loop
[05:11.26] Too many lies to refute, but I gotta rebuke
[05:13.34] They tryna put my neck inside of a noose, it's not happenin'
[05:18.93] (Boom-boom)
[05:23.09] (Boom-boom)
[05:23.27] Never in my life did I think I'd see the day
[05:27.03] That niggas wanna play with my name, but okay
[05:31.27] The children that survive the lows and highs, The real will never die, we multiply
[05:39.10] The history you're told is mostly lies
[05:41.22] You say you want the truth? Well, close your eyes
[05:43.52]
Gírias
Na faixa, "play with my name" refere-se a desrespeitar a reputação de alguém ou espalhar boatos maliciosos. "Goin' back in" significa retornar a um modo de competição ou agressividade, frequentemente para reafirmar a dominância após um período de menor atividade. "Fayettenam" é um neologismo que combina Fayetteville, a cidade natal do artista, com "Vietnam", usado para descrever um ambiente desafiador ou perigoso. "Narcs in the trap with a knack to hire rats" descreve policiais disfarçados operando em áreas de tráfico de drogas, com habilidade para recrutar informantes. Por fim, "trick off racks" significa gastar grandes somas de dinheiro de forma imprudente ou para fins ostensivos, muitas vezes sem um retorno significativo.